Amazing, Clean-sounding Mixer!
Live mixing just got easier — and more intense than ever! You need a live mixer that's made for more than just feeding the mains and throwing in a few aux ins and outs. You need Allen & Heath's outstanding GL2800-840! This feature-packed mixer offers up 40 channels, 10 auxes (including a stereo aux for recording feeds), and eight groups. Whether you're using it as a FOH mixer or running up to an astounding 14 mixes for monitor wedges and/or in-ears, you'll definitely wonder how you did without the GL2800-840 for this long.You need to start with quality if you want killer live sound. That's exactly what Allen & Heath made into their GL2800-840. Its versatile preamps provide a stellar 74dB gain range, and you can easily switch between XLR and Tip-ring-sleeve sources. This mixer's 12 x 4 matrix makes monitoring really simple and controllable; your performers will love the pro-grade sound!
If you're recording the show, then you're in luck! The GL2800-840 is equipped with a dedicated stereo aux, so you can easily patch it to your digital recording unit. The aux is also awesome for stereo monitor feeds. And, no matter what your signal-routing situation calls for, you're covered — thanks to the multitude of out options Allen & Heath made into the GL2800-840. This is an amazing mixer that's made to make your life easier!
Allen & Heath GL2800-840 40-channel/8-bus Analog Mixer Features at a Glance:
- Ten Auxes including a dedicated stereo send
- 40 channels
- 1kHz oscillator/pink noise generator with patchable external output
- Individual phantom power and polarity switching
- Preamps have 74dB range with +34dBu in capability for microphone or line
- Eight Audio groups with pan and routing to LR and M
- Sys-Link V2 console input/output linking option
- Recording-capable with channel direct outs
- Wide-angle channel and master meters
- Assignable talkback to all outputs, includes a talk switch latch mode
- Built-in combiner for redundant backup supply
- Responsive 4-band, 2-sweep EQ
- Ultra-low-noise mix head amp design
- Stereo channel microphone inputs can cross-patch into matrix for ambience feed
- Two multifunction stereo channels each with microphone and stereo line ins
- Fully featured 12 x 4 Matrix
- Dedicated stereo monitor meters
- LR and M main mixes
- Mutes on all fader masters
- Individual circuit card assembly with nutted pots
- M can be used for center/sub mix, LR mono sum, or engineer's wedge
- Matrix external inputs with level trims and common in capability
- 2-track monitoring and replay to LR
- Three headphone/earpiece sockets and local monitor outs
- Uses RPS11 high performance external linear power supply
- Two extra dual stereos provide 4 summed or independent stereo returns
- 4-pin XLR lamp sockets
- 100Hz channel highpass filters
- Proper dual functionality for FOH/monitor mixing
- Internal jumper plugs for pre/post-EQ aux, direct out, and other options
- Electronically balanced XLR outs with +26dBu drive capability
- Per channel pre/post fader aux switching for full flexibility
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