USB AND FireWire - in One Ultra-versatile Interface!
How did RME squeeze all that awesome I/O into the single-rackspace Fireface UFX interface? We don't know, but we're very, very happy that they did. You'll be very happy too. Want even more happiness? Check this out: the Fireface UFX gives you both USB 2.0 and FireWire connectivity! That's killer flexibility. This box has 30 input and 30 output channels, four digitally controlled preamps, a boatload of digital I/O options, and a word clock. It even includes a fantastic DSP mixer and signal router. This means you can put audio into your DAW and use the Fireface UFX to run your monitor setup. PLUS, you can use it standalone as a preamp, a monitor mixer, an AD/DA converter, and more. Wow!The Fireface UFX piles on the I/O goodness. 12 channels of premium analog I/O (that includes the four totally awesome digitally controlled preamps). You also get AES/EBU, ADAT, S/PDIF, and MIDI I/O. RME really hit one out of the park with this box; it's the perfect centerpiece for all kinds of rigs. A whole lot of channels, a whole lot of I/O and routing options, a whole lot of interface... in one rackspace. Can't beat that!
RME Fireface UFX 30 x 30 USB/FireWire Interface Features at a Glance:
- 24-bit/192kHz
- 30 Input / 30 Output channels
- 12 x Analog I/O
- 4 x Mic/Instrument Preamp, digitally controlled
- 1 x AES/EBU I/O
- 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical)
- 1 x Word Clock I/O
- 2 x MIDI I/O
- 1 x FireWire 400
- 1 x USB 2.0
- TotalMix FX DSP mixer/ signal router
AD, Line-in 1-8, rear
- Signal to Noise ratio (SNR): 110dB RMS unweighted, 113dBA
- Frequency response @ 44.1kHz, -0.1dB: 5Hz - 21.5kHz
- Frequency response @ 96kHz, -0.5dB: 5Hz - 45.5kHz
- Frequency response @ 192kHz, -1dB: 5Hz - 66.5kHz
- THD: < -110dB, < 0.00032%
- THD+N: < -104dB, < 0.00063%
- Channel separation: > 110dB
- Input: 1/4" TRS jack, electronically balanced
- Input sensitivity switchable to Lo Gain, +4dBu, -10dBV
- Input level for 0 dBFS @ Lo Gain: +19dBu
- Input level for 0 dBFS @ +4 dBu: +13dBu
- Input level for 0 dBFS @ -10 dBV: +2dBV
Microphone In 9-12, front
- Input: XLR, electronically balanced
- Signal to Noise ratio (SNR): 112dB RMS unweighted, 115dBA
- Gain range: 65dB
- Maximum input level, Gain 0dB: +12dBu
Instrument In 9-12, front
- Input: 1/4" TS jack, unbalanced
- Signal to Noise ratio (SNR): 112dB RMS unweighted, 115dBA
- Gain range: 55dB
DA, Line Out 3-8, rear
- Dynamic range (DR): 115dB RMS unweighted, 118dBA
- Frequency response @ 44.1kHz, -0.5dB: 5Hz - 22kHz
- Frequency response @ 96kHz, -0.5dB: 5Hz - 34kHz
- Frequency response @ 192kHz, -1dB: 5Hz - 50kHz
- THD: -104dB, < 0.00063%
- THD+N: -100dB, < 0.00%
- Channel separation: > 110dB
- Output: 1/4" TRS jack, servo-balanced
- Output impedance: 75 ohm
- Output level switchable Hi Gain, +4 dBu, -10dBV
- Output level at 0dBFS @ Hi Gain: +19dBuB
- Output level at 0dBFS @ +4dBu: +13dBu
- Output level at 0dBFS @ -10dBV: +2dBV
DA - Stereo Monitor Output XLR (1-2)
- Output: XLR, balanced
- Output level switchable 24dBu, Hi Gain, +4dBu, -10dBV
- Output level at 0dBFS @ 24dBu: +24dBu
DA - Stereo Monitor Output Phones (9-12)
- Output: 1/4" TRS stereo jack, unbalanced
- Maximum output level at 0dBFS, High: +13dBu
- Maximum output level at 0dBFS, Low: +2dBV
- Output impedance: 30 ohm
AES/EBU
- XLR, transformer-balanced, galvanically isolated, according to AES3-1992
ADAT Optical
- 4 x TOSlink, format according to Alesis specification
- Standard: 2 x 8 channels 24-bit, up to 48kHz
- Double Speed (S/MUX): 2 x 4 channels 24 bit 96kHz
- Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192kHz
Word Clock
- BNC, switch for internal termination 75 ohm
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